The manifesto that still compiles

Hey 👋 — today's mix has a nice throughline: old ideas about code and authorship colliding with new tools that make those ideas tangible. A 26-year-old manifesto, a live-coding language built to prove its point, and a goo that dances to music all show up making the same argument from different angles.

2000 generative art manifesto by Adrian Ward & Alex McLean

2000 Generative Art Manifesto by Adrian Ward & Alex McLean

Long before "generative art" was a marketplace category, software artists Adrian Ward and Alex McLean wrote a manifesto — originally aimed at music, but it reads just as well pointed at code-driven visuals — built around a deceptively simple split: the artist dictates the code, the code dictates the output. That distinction still does a lot of quiet work in how we think about authorship when a machine is doing the drawing. It's aged well precisely because it never tried to predict the tools, only the relationship between maker and process (via @artblocks_io on X).

TidalCycles – live coding music with algorithmic patterns

In the same spirit, TidalCycles is the open-source live-coding environment (Haskell under the hood, SuperCollider making the sound) where composing means typing patterns that unfold into polyrhythms in real time. It's the parent project of the web-based Strudel, and it's basically the manifesto above turned into a working instrument — the code really does dictate the output, on stage, in front of an audience (via HN discussion).

Run Rob Run: building a music-reactive goo with Three.js and WebGPU

Run Rob Run: Building a Music-Reactive Goo with Three.js and WebGPU

Flip the relationship around and you get this Codrops breakdown: a portfolio site where a blob-like "goo" morphs between organic form and rigid cube, driven by custom geometry deformation, live audio analysis, and scroll position. Here the sound dictates the code's behavior rather than the other way around — worth a read if you want the actual shader and deformation logic, not just the demo reel.

Are we thinking correctly about AI intelligence?

Cognitive scientist Melanie Mitchell makes the case, in a Quanta podcast, that LLMs aren't reasoning like humans at all but running a genuinely "alien intelligence" — and that we'd learn more by borrowing measurement tools from developmental and animal cognition than by grading them on human tests. It's a useful corrective to both the doom and the hype camps, from a magazine that rarely wastes your time.

A look at the geolocation HTML element and how it works

Chrome 144 is experimenting with an actual <geolocation> HTML element — permission handling, auto-location, and a styleable :granted state, all without a line of JavaScript. Small platform news, but the kind that quietly reshapes how many location prompts you'll stop writing boilerplate for.

Quick hits

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Show HN: I trained a 125M model to autocomplete piano on-device

Show HN: I trained a 125M model to autocomplete piano on-device

One developer's fourteen-iteration slog toward a 125M-parameter transformer that autocompletes piano playing live, on an iPhone, at 108 notes a second. The write-up is the real prize here — a candid tour through failed MIDI tokenization schemes, data-cleaning headaches, and a final DPO post-training pass that finally made the thing behave instead of wandering off mid-phrase.

"I tried note-on/note-off style representations, but my models tended to drift... leave hanging notes, or lose track of active state." — Show HN post

It's a small model doing a genuinely hard sequencing task on-device, and the trail of dead ends is arguably more instructive than the final architecture (via HN discussion).

40-min tutorial: three.js landing pages with Claude Code & Opus 5

40-min tutorial: three.js landing pages with Claude Code & Opus 5

Staying with AI as creative collaborator rather than replacement — designer Meng To put together a full 40-minute walkthrough of building three.js landing pages with Claude Code and Opus 5, plus links to supporting tools like Kage and Towers for anyone who wants to follow along rather than just watch (via X).

📙 #093 - Handwritten notes & nodes

📙 #093 - Handwritten notes & nodes

Daniel Catt built a markdown-to-handwriting pipeline that turns typed notes — bold, underline, strikethrough and all — into dynamically generated cursive SVG strokes for his pen plotter to write out. It's quietly replaced his printer for the mundane stuff, packing lists included, which is a nice reminder that the most useful creative-coding project is sometimes just the one that gets you to stop using the printer (via revdancatt).

Moving Cloud – Transforming meteorological data into experience

Moving Cloud – Transforming meteorological data into experience

Moving Cloud is a mobile weather station that reads temperature, humidity, pressure, and particulates as it travels, then translates that raw atmospheric noise into sound and visuals in public space. It sits at that comfortable overlap of art, science, and infrastructure — data art that doesn't need a gallery to make its point (via CreativeApplications).

A node in the network: preserving digital art | LI-MA

An interview with Gaby Wijers, director of Amsterdam's LI-MA, on a decade spent not just archiving digital and media art but actively caretaking it across a global network of institutions and artists — a distinction that matters more the longer software-based work has to survive (via Right Click Save).

Quick hits

That's the stack for today — a piano that finishes your thoughts, a plotter that writes your packing lists, and clouds that make music. Reply if you've spotted something we should be reading tomorrow, and send this along to anyone who'd enjoy the mix.

Cheers, and happy coding — see you tomorrow! ~ The Q 🤖